KCT IN’L Literary Contest Winner, Harriet Hodgson

Today I have the privilege of hosting talented author, Harriet Hodgson, winner of the KCT Literary Award , for her book, “So You’re Raising Grandkids!” 

Harriet Hodgson Revolution Banner

BOOK BLURB:

If you are a grandparent raising your grandchildren, help has arrived.

According to the US Census Bureau, more than 10% of all grandparents in the nation are raising their grandkids, and the number is going up. You may be one of the millions of these grandparents and it’s a role you never expected. Willing as you are to assume this role, you have some questions. How will I find the energy for this? Is my grandchild normal? What if I “blow it?” Each day, you look for ways to make life easier.

This book will:

•Help ease your worries and guilt;
•Offer tips for creating a grand family;
•Give methods for improving grandparent-grandchild communication;
•Suggest ideas for how you can connect with your grandchild’s school;
•Provide child development information;
•Recommend approaches to help your grandchild set goals;
•Stress the importance of having fun together;
•Offer ideas of how to foster your grandchild’s hopes and dreams.

So, You’re Raising Your Grandkids blends Harriet Hodgson’s wise and moving grandparenting story with recent research and findings. It shares her 21 years of caregiving experience, including seven years of raising her twin grandkids. Each chapter ends with What Works, proven tips for grandparents raising grandkids.

At the end, you’ll cheer for all the loving grandparents—including you—who are putting grandchildren first.

raisinggrandsbookcover

 

Meet Harriet:

Harriet Hodgson shirt

 

Rochester, Minnesota resident Harriet Hodgson has been a freelance writer for 38 years, is the author of thousands of articles, and 36 books. She has a BS from Wheelock College in Boston, an MA from the University of Minnesota, and additional graduate training.

Hodgson is a member of the Association of Health Care Journalists and the Alliance of Independent Authors (ALLi). She is a contributing writer for the Open to Hope Foundation, The Grief Toolbox, and The Caregiver Space websites.

Visit www.thecaregiverspace.org/authors/hhodgson to read her articles.

Hodgson has appeared on more than 185 talk radio shows, including CBS Radio, dozens of television stations, including CNN, and dozens of blog talk radio programs. A popular guest, she has given presentations at public health, Alzheimer’s, bereavement, and caregiving conferences.

Her recent work is based on Hodgson’s 21 years as a family caregiver. She was her mother’s family caregiver for nine years, her twin grandchildren’s guardian and caregiver for seven years, and is in her fifth year as her disabled husband’s caregiver.  Visit Harriet’s RRBC Author Page to find out more about this busy wife, grandmother, caregiver, and author, as well as more information on her many other books listed in the RRBC catalog.

 

Welcome To The WATCH “RWISA” WRITE Showcase Tour! #RRBC #RWISA With Bernard Foong.

Watch Write Showcase Tour

bernard-foong

Welcome to the final day of this blog tour. The journey began on July 1, and there’s been plenty of great reading along the way. Today, I have the priviliege of hosting Bernard Foong. If you like what you see here, you can click on the link at the bottom of the page to find out more about him.

Vignettes Parisian

Vignettes Parisian is a collection of four short stories about the Author’s past and present experiences in the French City of Love and Romance, commonly known as Paris.

Christian Dior Couturier Du Reve

It is impossible not to have a close encounter with fashion when I am in Paris. Even if I had to wait in the freezing cold for an hour and a half to enter the Christian Dior Couturier Du Reve (Christian Dior Couturier of Dreams) exhibition at the Musée des Arts Décoratifs (Museum of Decorative Arts). My husband, Walter, and I were the lucky few who arrived early before the museum opened its doors. The late arrivals were banished to the back of the queue for a five hours wait before admission was granted.

This spectacular exhibition was worth the wait. Not only were the lives, times, and accomplishments of Christian Dior, one of the great French couturier and his successors well documented, the exquisite fashions and well-thought-out displays were equally impressive.

Since my first visit in 1966 to the French capital of romance, luxury, and fashion, my love for Paris has never waned. Before I left sunny Maui, I had designed and made a haute couture gold, silver, and black embossed velvet fleur-de-lis patterned coat to wear during my recent holiday in France. It was at this exhibition that I received compliments for my one-of-a-kind creation.   

A stranger approached me at the exhibition to buy the coat off my back because he loved what I wore. Perhaps I should be the next designer to take over the reins for this resplendent Maison – The House of Dior. After all, I am a knowledgeable and seasoned fashion designer who knows every aspect of the international fashion industry. 

Shopping In Paris (Then & Now)

I am one of those blessed individuals with a pair of discerning eyes and can detect items I wish to purchase in cramped spaces on my crazy shopping sprees. It was in such a circumstance that Walter and I found ourselves in the middle of the crowded shopping Avenue, des Champs Elysées.

A sole of my shoe had divorced itself from the body of my long-lasting suedes and left me to hobble around Paris like a circus clown with flapping feet. I had to take immediate action to remedy this unanticipated situation before the remainder of my footwear disintegrated onto the wet and soggy ground, while my beloved, sniggered at my fashion malfunction. 

I remembered an amusing incident that happened in 1969 at this boulevard. Back then, I was a bright-eyed and bushy-tailed fashion student. Accompanying Moi was Count Mario, an accomplished Vogue fashion photographer, Andy, my model-looking lover and Valet, and Sammy, a flamboyant young fashionista. The four of us were shopping at the avenue, that drizzly day.

To elongate his petite stature beneath his wide bell-bottom jeans, Sammy wore a pair of eight inches high platform shoes. He also donned a fitted denim jacket over a sassy body-hugging bodysuit. To complete his eccentric ensemble, his dyed cornflower yellow, emerald, and turquoise hair flowed behind him like an exotic mane as our quartet floated down the street. 

Eyes turned in our direction as we trotted around Paris in style. Before I realized what had transpired, Sammy was flat on the pavement. Colorful socks bounced around him like raptured pom-poms. The lad had stuffed pairs of rolled-up socks inside his footwear so he could fit his tiny feet into the platforms. He had stumbled on the wet and slippery sidewalk.

Mario, wasted no time whipping out his camera to capture this unanticipated fashion faux pas, while Andy and I looked on in shock.

As if modeling for a Vogue fashion shoot, the quick-witted Sam posed this way and that on the wet thoroughfare while the photographer clicked away at the gaffe. A pedestrian circle had formed in the middle of Avenue des Champs Elysées to witness this “fashion happening.” Advertently, our friend had transformed an embarrassing situation into a photo-opt as the applauding crowd showered the boy with accolades. By the time Sammy got on his feet, he had saved his face with poise and grace.

The Magical Power of The Written Word

“Why are there beds located at different corners of the bookstore?” I asked Monsieur Mercier, an assistant at the Shakespeare & Company bookshop.

“The beds are available for writers to stay a night in Paris for free,” the man responded before he resumed, “ Are you a writer? Do you intend to stay the night?”

Surprised by the man’s inquiries, I evinced, “I am a writer. But no thank you to the lodging offer.”

“What genre of books do you write, Monsieur?” Mercier queried.

“I’m an autobiographer,” I replied. “Because of its controversial and provocative contents, my books are often classified under the Erotica genre.”

The bookseller questioned, “What are the titles of your books, and what is the author’s name?”

A HAREM BOY’S SAGA; A MEMOIR BY YOUNG. It’s a five-book series,” I declared.

“I believe we have your books in the store. Are the titles: INITIATION, UNBRIDLED, DEBAUCHERY, TURPITUDE, and METANOIA?” he promulgated. 

I nodded, delighted by his information. 

The Frenchman led me through a series of narrow pathways covered with volumes and pamphlets of the written word. When he finally extracted five volumes of my autobiography from a shelf, my heart nearly leaped out of my chest. 

“I read the series. What a compelling teenage life you’ve led. I wish my school had a secret fraternity program like yours,” the teller quipped smilingly.

He recommenced, “Our store is a focal point of English literature in Paris. Anais Nin, Henry Miller, and Richard Wright are frequent visitors. We also host literary activities, like poetry readings, writers’ meetings, book readings, writing festivals, literature festivals, photography workshops, writing groups, and Sunday tea.

“Ms. Sylvia Whitman, the owner, might invite you for a book reading at our store.”

“That will be splendid. Unfortunately, my husband and I are in Paris for a short period. Maybe we can arrange a book reading and signing session when we are in Paris again,” I proposed.

Monsieur Mercier and I had exchanged contact information before I left the Shakespeare & Company bookshop. Hopefully, during my next visit to Paree, I will get to meet Madam Sylvia Whitman with a book reading and signing gig in place. 

S.O.W. and R.E.A.P.

Over the years, I have been asked by many, “Why do you love Paris so much?” My reply is always the same – S.O.W.

Although the Parisian cityscape has changed over the years, these three alphabets continue to shadow my existence whenever I am in or out of Paris. S.O.W. is also a reason Walter and I chose France as our home away from home.

In the autumn of 1966, when the Simorgh (one of my Arab patriarch’s private jet) touched down in Charles de Gaulle airport, I had contracted the romance bug. Back then, the ebullient Moi, an inquisitive teenager with a quest for adventure, was whisked to the Paris Ritz Carlton in a luxurious Bentley by my host, Prince P. I had fallen head-over-heels in love and in awe with both the prince, Andy, my then chaperone and Valet, and Paris, the city of romance. That was before our entourage visited the haute couture fashion Houses of Chanel, Dior, Ungaro, Givenchy, Yves Saint Laurent, Patou, and the fancy eateries, such as Café de Flore, La Belle Époque, Maxim’s, and last but by no means least, Le Folies Bergers. Back then, these infamous Parisian establishments were places to go, to see and be seen. Nowadays, they are tourist attractions.

  Through the subsequent years, I had accompanied many princes, princesses, sheiks, sheikas, and their aristocratic Arabian entourages to the French capital. Most significantly, this city of love and romance had taught me the art of Seduction (S), Originality (O), and Wit (W). Some may say that wittiness is a congenital trait, but I purport it as a learned art of human relationships. Whatever definition one chooses to use, I had returned to this electrifying metropolis of S.O.W.; where I had sown many a wild oat. Now, with my beloved husband in tow, I’m here to R.E.A.P. its rewards.

“What the hell is R.E.A.P.?” you ask.

I will explain:

RRomance continues to exist in this alluring Capital of Love; even amid an influx of foreign refugees and political upheavals. Another series of stories, I will narrate another time.  

EElegance in this sordid city of high culture is a trait Walter and I find irresistibly seductive. 

AAuthenticity is historicity in this Center of Romance. And I am not referring to the faux reproduction of the Las Vegas ‘Paris’ in Nevada, United States of America.

PParis equals Sophistication, Originality, Wit, Romance, Elegance, and Authenticity. But last and by no means least, this French capital is where Perfection reigns supreme. 

PARIS – Mon Paree!

Bernard Foong (aka Young)

Thank you for supporting this member along the WATCH “RWISA” WRITE Showcase Tour today!  We ask that if you have enjoyed this member’s writing, please visit their Author Page on the RWISA site, where you can find more of their writing, along with their contact and social media links, if they’ve turned you into a fan.

We ask that you also check out their books in the RWISA or RRBC catalogs.  Thanks, again for your support and we hope that you will follow each member along this amazing tour of talent!  Don’t forget to click the link below to learn more about this author: Bernard Foong

 

 

 

 

 

Welcome To The WATCH “RWISA” WRITE Showcase Tour! #RRBC #RWISA With Ron Yates.

Watch Write Showcase Tour

Ron Yates1

Hello! So glad you’re here! We’ve been rolling along with this blog tour since July 1, and the great reads continue. Today, I have the privilege of hosting Ron Yates, a member of Rave Writers – International Society of Authors (RWISA). If you like what you see here, please click on the link at the bottom of this article to learn more about Ron.

 

Burning Out in Tokyo 

By Ronald E. Yates

Clayton Brandt stood just behind the glass doors of the Ministry of International Trade and Industry building waiting for a let-up in the storm that pummeled the hot Tokyo pavement. Wisps of vapor rose into the air as the rain hit the warm ground. 

He searched the eight-lane boulevard in front of the MITI building for an empty taxi. He knew it could be a long wait before an empty cab came down Sakurada-Dori. Thousands of bureaucrats glutted Tokyo’s Kasumigaseki district, and whenever it rained, it seemed like all of them wanted a taxi.

“Son of a bitch!” he said, his words echoing through the lobby. Two middle-aged Japanese bureaucrats standing nearby looked over at the tall foreigner. They understood that English phrase. 

Clayton grinned. “Ame-ga futte imasu,” he said. 

The two men looked at one another and then back at Clayton as if to say: “Yes, we can see it is raining. But is that any excuse for such a rude public outburst?” 

Clayton sighed, opened his umbrella, and stepped out into the downpour. He turned right and hurried through the governmental heartland of Japan, maneuvering his 6-foot, 3-inch frame through the crowded sidewalk glutted with black and gray umbrellas. Sometimes the edge of an umbrella held by a much shorter Japanese man or woman slashed at his throat or slapped against his face. Whenever it rained, and the umbrellas came out, Clayton always felt Gulliveresque—like a giant trapped in a forest of undulating toadstools.

He looked up at the leaden April sky. The rain had drenched Tokyo for the past four days, covering the ground with a pink and white patina of delicate sakura blossoms. A slow rumble of thunder curled between the squat granite structures of Kasumigaseki. Clayton looked at his watch. It was four-thirty and the evening traffic was already crawling. He had hoped to get his story written and filed by six o’clock, but the briefing about Japan’s angry reaction to Washington’s decision to bar the U.S. government’s purchase of Japanese supercomputers had taken longer than usual.

The sky rumbled again, and bolts of lightning streaked overhead. A taxi pulled up outside the Ministry of Health and Welfare and was disgorging three Japanese bureaucrats in dark blue suits. Clayton closed his umbrella and dashed for the cab splashing through rivulets of water as he ran. The three men had barely climbed out before Clayton bolted past them and into the rear seat. He gave the driver his destination, closed his eyes, and rested his head on the seat back as the taxi inched its way back into the gridlock.

Every so often, his eyes opened just long enough to take in the somber Tokyo landscape. The perpetually gray skies of Tokyo didn’t do his already sepulchral spirit any good. In fact, very little seemed to buoy his disposition these days. He couldn’t help it. He felt depressed and probably a bit too sorry for himself. A few hours before the MITI briefing, he had suffered through another of those telephone “chats” with Max, the foreign editor of Global News Service in London about expenses and the need to cut back on costs.

“O.K., O.K. Max,” Clayton had sighed bleakly into the phone. “I get the picture.”

The exchange ended with Max suggesting that Clayton not be such a “cowboy.” A “cowboy?” Why? Just because he was from Oxford, Kansas and not Oxford, England? It wasn’t easy working for a bunch of Brits when you sounded more like Garth Brooks than Sir Laurence Olivier. But he knew what Max meant. 

Clayton was an iconoclast in a profession that increasingly rewarded conformity rather than individualism. Newspapers today all looked alike, loaded with the same predictable stories about the same predictable events. It was rubber-stamp journalism practiced by rubber-stamp editors who worked for rubber-stamp publishers who worked for boards of directors who wanted twenty percent operating profit margins above all else—quality journalism be damned.

 He went over the notes he had hurriedly scribbled during the MITI briefing, searching for the lead of his story. His pen scratched heavy lines under the words “ill-conceived” and “studying our response.” Then he stuffed the notebook back into his bag.

“It’s over,” Clayton thought to himself as he watched the snarl of cars and trucks crawl along Uchibori-Dori through Kokyo-Gaien, the large plaza that fronted the walled Imperial Palace. It was as if today he had been forced finally to confront the inevitable mortality of his professional career; or at least of his particular brand of journalism. He was writing the same boring stories over and over again. Where was the challenge? The sense of accomplishment?

Clayton exhaled and gazed out the taxi window at the striated, ashen facades of drenched buildings. They reminded him of the mascara-smudged faces of women weeping at a rainy graveside.   

He closed his eyes and nudged his mind away from the depressing Tokyo landscape. Soon it was obediently shuffling through old images of another, more beguiling Asia. It was an Asia of genial evenings spent beneath traveler palms; of graceful, colonial-era hotels in Singapore and Malaysia with their chalky plaster facades and their broad verandahs peppered with rattan settees and peacock chairs; of slowly turning teakwood paddle fans that moved the heavy night air with just enough authority to create a light breeze, but not enough to obliterate the sweet scent of evening jasmine. THAT was the Asia he missed; the Orient of the past.

Yes, it was ending. Clayton could feel it. It had been a good run . . . A good career. But now the journey was ending, like a train that had roared through the night and was now pulling into its last station. How many times had he almost gotten off only to be lured back on by the promise of what lay ahead at the next stop? How many times had he been disappointed by that decision? How many times had he been rewarded? At first, the rewards outweighed the disappointments, but in recent years, as he had grown older, the regrets seemed to have gained a definite edge. 

For one thing, the passengers kept changing. And the conductors. And the engineers. But what did he expect? Wasn’t that the way the world worked? What was it that Tennyson had written: “The old order changeth, yielding place to new?” 

Clayton shuddered. Was he the old order? Should he be yielding? Was he burned out?

Maybe he was becoming the old order, Clayton thought. But he wasn’t burned out just yet. And if there was any yielding to do, he wanted it on his own terms. The trouble was, the gulf of time between his past glories and the imminence of the callow, computer savvy handlers in the home office who controlled his destiny was becoming almost unbridgeable. 

Most of his career predated cell phones and computers. For the computer literates at Global, his life’s work might as well be stored on some remote database. As it was, he existed only in yellowing newspaper clips, aging telexes, and letters of commendation that were kept in his personal file back in London. And nobody bothered to look at that stuff anymore. 

It made no difference, Clayton thought. In the mutable, evanescent province that modern journalism had become, it was ancient history. Hell, HE was ancient history. He was like a piece of old journalistic parchment—readable, but, unlike a computer, much less utilitarian.

What Clayton needed was another journalistic rush . . . A story he could get hold of and play like a newly discovered Mozart piano concerto. He needed something . . . Not to satisfy the yuppies back at Global, but to give him a reason to get back on the train and to leave the station again.

The taxi slewed to a stop like a wooden bathhouse sandal skidding along a wet tile floor. Clayton looked up. They were in front of the Kawabata Building.

“Kawabata Biru, desu,” the driver announced.

Clayton fumbled in his pocket, handed the driver a one thousand yen note, and waited for his change. Then he bolted through the swirling Tokyo rain and put his shoulder against the massive glass and steel doors of the Kawabata Building. Unlike most of Tokyo’s modern structures, the Kawabata Building didn’t have sleek automatic glass doors that hissed serpent-like and opened automatically at the approach of a human being. It was a pre-war relic—an architectural throw-back with cracked marble floors and a fading art deco interior that had somehow survived the allied bombings. 

The building’s deteriorating facade, which was the color of dead autumn leaves, seemed to glower at the world—like the rumpled brow of an angry old man. But the tumble-down building had an undeniable individuality in a country that too often prized sameness, and that was the reason Clayton liked it and had refused an offer to move into one of the new glass and steel “smart buildings” that soared over Tokyo’s Otemachi district.

He paused to talk for a moment with the old woman who operated the small grocery and newsstand tucked away in the corner of the lobby. From his many conversations with her, Clayton had learned that the old woman had operated her little concession since 1938 and knew the building’s history better than anybody.

She smiled as Clayton’s towering frame bent toward her in one of those peculiar half bows that Japanese make when they are in a hurry. Japanese could do it with a certain grace; but not Clayton. When this big foreigner bowed, he always looked like he was on the verge of crashing to the ground like a gingko tree struck by lightning. Nevertheless, she liked this gaijin. Ordinarily, she merely tolerated foreigners, but this one had a solitary charm. He was big, but not threatening; assertive, but not arrogant. 

“So, Oba-san, Genki datta?” Clayton asked, combining the Japanese honorific for “grandmother” with the less formal interrogative for “how are you?”

“Genki-yo,” the old woman replied. Clayton picked up a package of Pocky chocolates and placed a one hundred yen coin in the old woman’s hand.

“Sayonara,” Clayton said as he turned and scuttled toward the bank of elevators.

“Sonna ni hatarakanai ho ga ii desu!” the old woman called after him. 

Clayton smiled and nodded over his shoulder. The old woman was right. He was working too hard, and where was it getting him? Back on a train to oblivion?

“Oh, get over it,” Clayton thought as the elevator door closed. “You’ve got a story to write. Feel sorry for yourself AFTER you make your friggin’ deadline! Besides, what else do you know how to do, you old hack! Burning out is not an option.”

The End

Thank you for supporting this member along the WATCH “RWISA” WRITE Showcase Tour today!  We ask that if you have enjoyed this member’s writing, please visit their Author Page on the RWISA site, where you can find more of their writing, along with their contact and social media links, if they’ve turned you into a fan. 

We ask that you also check out their books in the RWISA or RRBC catalogs.  Thanks, again for your support and we hope that you will follow each member along this amazing tour of talent!  Don’t forget to click the link below to learn more about this author:Ron Yates

 

 

Welcome To The WATCH “RWISA” WRITE Showcase Tour! #RRBC #RWISA With Suzanne Burke.

Watch Write Showcase Tour

suzanne-burke (1)

Welocme back!  If you haven’t been following our wonderful Rave Writers – International Society of Authors (RWISA) blog tour, you can view most of the former posts on this site. It began on July 1. Today I have the privilege of hosting Suzanne Burke.

 

THURSDAY’S CHILD

By

Suzanne Burke.

Copyright 2019.

 

She hadn’t really intended this to happen. Oh, sure, she’d thought about it often enough, but thinking about something didn’t make it a crime. A convergence of circumstances had prompted her choice. Regret was such an outmoded commodity.

She checked her latex gloves fitted well, and flicked her dark eyed gaze across to where Peter Cameron lay, still and silent. “You brought this on yourself, Peter. Did you think me a complete fool?”

Carol moved across to the edge of the bed and stood over him. She reached down and flicked the blonde hair back from his forehead, then gently rested her hand there.

“You’re cold. Shall I fetch you a blanket?” Her laughter soothed her.

The man’s eyes were now open, and Carol revelled in the fear she witnessed in their blue depths. “Ah, there you are. How do you feel?” She laughed again. “Oh, silly me. You can’t feel anything. Can you? Such a handy little drug, and no taste I believe, especially in your malt whiskey.”

Peter Cameron’s blue eyes registered the words and Carol watched on as he commanded his brain to activate his fingers, his arms. He had no control of his voicebox. His brain refused to obey. He remained still.

“Oh, don’t fret so, darling. You’re not going to die … yet. The paralysis will last just long enough for my needs. It’s all in the timing. You need to helplessly contemplate what I may have in store for your immediate future.”

Carol walked away from him, and headed for the bar, whistling happily in anticipation. She placed his used glass and the bottle of Glenfiddich into her handbag, then poured a stiff belt of burbon into a paper cup, and seated herself comfortably on the sofa in the large living room and admired afresh the warm ambience of her surroundings. 

“The best that all my money could buy.” Her voice brought her comfort.

She drained the cup and refilled it. When empty she crumpled it and placed it alongside the other items now concealed in the bag.

The wall clock reaffirmed that she had an hour remaining before company arrived. She nodded in satisfaction and rested. 

With twenty minutes remaining she stood and checked on her captive one more time. “Not long now.”

A low groan came from the bed. 

Carol gently stroked his cheek. “Are you terrified, my darling? Your eyes tell me you are. Good. That’s as it should be.”

Carol smiled in satisfaction and left the room, content to wait this out for a few minutes. At exactly 11.02p.m she heard the front door open and close again. A musical female voice called out, “Peter? Darling, where are you?”

Carol listened carefully from her dark space in the hallway. She held her breath as the woman came into view and she watched her enter the master-bedroom in search of her lover.

“Waiting in bed for me, darling? That’s different. I thought we were going to share a late supper.”

The woman sounded disappointed.

“He can be very disappointing. I agree.” Carol said from the doorway.

The woman jumped in fright and managed to say “Oh, my God. I’m not, that is, we aren’t, this isn’t.” She shut her mouth when her frightened eyes took note that her lover’s wife was standing in front of her wearing latex gloves and aiming a gun at her head.

“It isn’t what? An affair? Oh, please. Do you expect me to believe that you’ve come here to my home every second Thursday at 11.00p.m for 3 months to do something innocent?  Go ahead, enlighten me. I’m a reasonable woman. Convince me I don’t have a reason to hate you.”

“Please! I’m so sorry. It doesn’t mean anything.”

“Oh, no, Thursday’s Girl. It means everything. The others meant nothing to him, therefore I ignored them. Ah, but you, you’re different. Turn around, let me take a closer look at you.”

Carol walked across to the shaking woman and prodded her with Peter’s handgun. “I said turn around.”

The younger woman nodded and hurriedly complied.

“He does love a tight ass. Long legs too. That’s always a bonus.”

“He doesn’t care about me. It’s a … a fling.”

“Nice try.”

“I’ll end it and never see him again. I promise. I’m sorry, please. Let me go.” The woman was sobbing now.

“Don’t you want to know how I know your special?”

The woman shook her head. “I’m not ….”

“Shut your stupid mouth and listen!” Carol barely controlled her anger and shoved the nozzle of the Glock into her rival’s chest.

She drew a deep calming breath and lowered the gun slightly. “I know, because he’s been happy. Happier than he’s been for many years. The only thing that’s different in his life since the advent of his peculiar behaviour is you!”

Carol fished inside the pocket of the coat she was wearing and drew out a small velvet box. “He brought you this little diamond trinket from Caliago. His jeweller of choice. It’s an engagement ring for you, Thursday’s Girl. The ring size is smaller than mine, and besides I only wear emeralds. My contact at the jewellers tells me it’s worth upwards of one million dollars. I do hope it’s insured. Give me your hand. Let’s try it on for size.”

The hand the woman held out was shaking. Carol nursed the gun, and held out the jewellery box. “Now place it on your finger. Don’t be stupid enough to flex your hand. Slide it on.”

The diamonds glistened as the ring slid into place perfectly.

“And lastly, should you think me presumptive, then don’t. You see our darling Peter visited our attorney to get the ball rolling for divorce proceedings. I can only wonder that he made such a stupid mistake. Our attorney was the one I recommended twenty-years ago. He earns every cent of the additional fees I pay him every month.”

Peter groaned again from the bed and his lover stood there watching on, too afraid to move.

Carol smiled. “How tragic love is. How very sad that you came here to end your relationship. Peter Cameron had never been denied anything in his life. He couldn’t take the rejection. He apparently decided that if he couldn’t have you, then nobody would.

The woman began to scream, and Carol laughed with pleasure. “Oh, yes, scream. Go right ahead! We do love living out here. There’s a righteous freedom in having no near neighbors.”

The woman was still sobbing as Carol sat next to Peter on the bed and shot her three times in the chest. She calmly watched as the body was flung backward by the impact and dropped to the floor.

Carol gazed down on her for long enough to see the faint hold on life vacate her eyes.

Carol checked the spandex gloves, satisfied that they’d worked as they should. She placed the weapon down for a moment as she removed the other things that she’d need from the bureau.

Peter’s arm felt like a dead weight as she wrapped the tourniquet around his upper bicep. The veins responded beautifully, and Carol inserted the syringe and watched in fascination as her husband’s body jerked several times. She watched him begin to foam at the mouth. She watched him die. “Heroin is so deadly, if you don’t get the dosage just right. I believe it’s referred to as a ‘hot shot’. 

She placed the Glock in his right hand and checked to ensure the trajectory married up with the bullet’s impact on his dead companion. Carol squeezed his fingers closed around the weapon with his finger on the trigger, then let his arm drop and the gun lay loosely in the dead hand.

Carol stood back and admired her handiwork. Content now she hurried outside.

She ran to her car secreted behind a tall stand of trees and drove it into her driveway, behind the visitors Porche. She let the car idle and punched in 911 on her iPhone.

“911. What is the nature of your emergency?”

“Please! Help me. I need help! Please!” The voice was frantic.

“I’ll help you, Ma’am, but I need you to calm down. Please tell me what is happening.”

“I heard a woman screaming! Then I think there were gunshots! Now I can’t hear anything. Please! Please, I beg you, please hurry, I think my husband is inside. Should I go in? I have to help him!”

“Please give me your address.”

Carol gave it.

“Do NOT enter the dwelling. Police and Paramedics are on the way. Stay on the line with me. Are you close to the house?”

“I’m outside in the driveway.”

“Please move away from the property. Stay away from the windows. They’re on their way.”

***

CNN breaking news.

“In breaking news! The body of United States Senator Peter Cameron has been found at his home. A crime scene now exists. Early indications from our sources indicate that another body has been found at the scene. Murder/Suicide has not been ruled out.”

“Tragically it was the senator’s wife who made the grim discovery. She is reported to be resting under sedation. In deep shock as these events unfold. Police at this stage don’t believe that a third party was involved in the tragedy.”

Carol listened to the excited broadcaster and smiled.

Then she settled down in her pristine hospital bed and drifted off to a contented sleep.

Thank you for supporting this member along the WATCH “RWISA” WRITE Showcase Tour today!  We ask that if you have enjoyed this member’s writing, please visit their Author Page on the RWISA site, where you can find more of their writing, along with their contact and social media links, if they’ve turned you into a fan. 

We ask that you also check out their books in the RWISA or RRBC catalogs.  Thanks, again for your support and we hope that you will follow each member along this amazing tour of talent!  Don’t forget to click the link below to learn more about this author: Suzanne Burke

Welcome To The WATCH “RWISA” WRITE Showcase Tour! #RRBC #RWISA With Mary Adler.

Watch Write Showcase Tour

Hello! Welcome to all new and returning guests! The blog tour is well underway and we’ve had plenty of great reading material. Today, I have the privilege of hosting RWISA author, Mary Adler. If you like what you read here, please visit her site by clicking on the link at the end of this article.

BLACK NOTES BEAT

by Mary Adler

I have studied and observed crows for years, and the more I’ve learned about them, the more I admire their complex family and flock relationships. They are intelligent, create and use tools, and they teach their skills to other crows. As Rev. Henry Ward Beecher said, “If men had wings and bore black feathers, few of them would be clever enough to be crows.”

Over the years, I have told my family and friends more than they ever wanted to know about crows. One person said, after hearing the stories I told about them, that she stopped trying to run crows down with her car. (There is so much wrong with that statement, that I don’t know where to begin.)

During the non-nesting period of the year, crows gather at night to roost together, sometimes in flocks of thousands. They are stealthy and take a roundabout way to the roosting place. They have good reason to be wary. For decades, humans have killed them, even dynamiting their roosting places at night.

Like many natural creatures, they are good and bad, depending on your viewpoint, and not everyone appreciates their beauty. But I love to watch them streaming across the sky–one small group after another–as they return from foraging to join the flock. When they are together, those who have found a safe source of food will tell the others where it is. They share, but only within their own flock.

One evening, after watching them move across the sky, I wrote this:

 

Black Notes Beat

Black notes beat

Unfurling dusk

Across the bruising sky.

 

Quarter notes, half notes

Rise and fall.

Whole notes

Rest on treetops.

 

An arpeggio of eighth notes

Silently swirls,

Scribing a nocturne

in the fading light.

 

Softly they spill

to the nighttime roost:

Rustling,

murmuring,

settling,

hushed.

 

Now the still moment,

the last note fading,

No bows, no curtsies,

No fear of reviews.

 

They need no applause to perform their works.

Thank you for supporting this member along the WATCH “RWISA” WRITE Showcase Tour today!  We ask that if you have enjoyed this member’s writing, please visit their Author Page on the RWISA site, where you can find more of their writing, along with their contact and social media links, if they’ve turned you into a fan.

We ask that you also check out their books in the RWISA or RRBC catalogs.  Thanks, again, for your support and we hope that you will follow each member along this amazing tour of talent!  Don’t forget to click the link below to learn more about this author: Mary Adler